1996
Elisabeth Sheffield on the implications of the anthology that helped to put the term "postfeminsim" into circulation.
Joe Amato on the Social Text controversy.
Christopher Knight on Stanley Fish's Professional Correctness.
Lidia Yukman describes the experience of teaching people of differing backgrounds.
Elisabeth Joyce reads Howe as a postfeminist Thoreau facing the dilemma that 'to inhabit a wilderness is to destroy it.'
Diane Goodman on the anthology that helped put the term "postfeminism" into circulation.
The postfeminist issue of ebr was the first to use visual art as a means of navigation as well as illustration.
Michael Bérubé responds to the respondents in Selling Out (Spring 1996).
Ronald Sukenick turns hypercapitalism inside out, and finds no place to hide.
Should the Left pool its resources and buy CBS? Robert Markley offers strategies for avoiding Patrick Buchanan's jihad.
Cary Wolfe lays bare the assumptions that define Bérubé's stance.
Marjorie Perloff on the surprising viability of art and poetry - everywhere but in universities.
Former FC2 Co-publisher Curtis White defends radical fiction against Left radical intellectuals.
Can electronic conversations reconstitute Bérubé's lost public sphere? A Marxist analysis by Jamie Daniel.
Joe Amato muses on academic stardom, the poetics list, and the corporation that motors his university.
Joseph Tabbi and Gregory Ulmer discuss what intellectual work will be like in the new electracy.
In this feature essay from the spring of 1996, Michael Bérubé claimed that left intellectuals have little choice but to sell out, if they want to make a difference in the culture they critique. But which way is out? And who gets to go public?
Daniel Riess on Roger Chartier's media history.
Matt Kirschenbaum on Richard Coyne's philosophical treatment of technographics.